Audio Equalizer Online — 10-Band Real-Time EQ

A professional-grade 10-band audio equalizer with real-time preview, spectrum analyzer, and 14 genre presets. Adjust frequencies, apply high/low-pass filters, compare with A/B bypass — runs via Web Audio API in your browser.

How to Use the Equalizer

1
Upload your audio

Drop an MP3, WAV, FLAC, OGG or any audio file onto the upload area.

2
Choose a preset or adjust manually

Select from 14 genre presets or drag the 10 band sliders to create a custom EQ curve.

3
Preview in real-time

Press play to hear the EQ applied instantly. Use A/B toggle to compare with the original.

4
The EQ curve is baked into the file

Choose your output format, click Save, and download the processed file.

Shape your sound with a professional 10-band equalizer, spectrum analyzer, and instant preview

Drop audio or video here
MP3, WAV, FLAC, OGG, M4A, AAC, OPUS ·
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Format

What each band actually controls

The ten sliders sit at fixed frequencies. Knowing what lives at each one turns guesswork into a decision — this is the same map engineers keep in their heads.

Band What lives there
32 Hz The very bottom: rumble, vibration, room noise. Laptop and phone speakers cannot reproduce it at all.
64 Hz The foundation of kick drum and bass guitar — this is where the weight of a track comes from.
125 Hz The bottom of a male voice and the body of a snare; too much of it turns the sound boomy.
250 Hz The muddy zone: this is where the murk of a room recording piles up.
500 Hz The body of instruments; an excess makes the sound boxy, like a cardboard tube.
1k Hz The center of intelligibility — the ear is most sensitive right here.
2k Hz Consonant attack and the pluck of a string; helps a voice cut through a mix.
4k Hz Presence: the voice steps forward, but it turns harsh very easily.
8k Hz Air and sibilance — and the same place where tape and mic hiss becomes audible.
16k Hz The very top, felt rather than heard as “air”; past forty, many people no longer hear it at all.

Practical notes

  • The bands are bells, not steps: moving one also nudges its neighbors, so +6 dB at 1 kHz is audible at 800 Hz too.
  • In 10-band mode the bells are wide (Q 1.4); switching to 31 bands narrows them (Q 4.32), which is what makes surgical cuts possible.
  • Cutting what is in the way beats boosting what is missing: every boost eats headroom and brings clipping closer.
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